‘Monica, O My Darling’ Review: Vasan Bala’s Genre-mix Of Black Comedy And Noir Is Too Random For Its Own Good
A movie needs to set its tone right off the bat because, as an audience, if you are familiar with it within the first...
‘Holy Spider’ Review: Indictment On Misogyny & Religious Fundamentalism Through The Guise Of A Serial Killer Film
I believe I am revealing my lack of exposure to Iranian cinema here, but "Holy Spider" is definitely one of the first times I...
‘She-Hulk’ Review: Cleverness Should Have Been More Consistent Instead Of Being Backloaded In The Finale
"She-Hulk," even as a character, was a derivative version in the comics. Now, before people come at me with pitchforks, it should be pointed...
‘What We Do In The Shadows’ Season 4: Review – The More Things Change, The More They Stay The Same
Let’s be clear here — "What We Do In The Shadows" is a modern-day sitcom. At no point I am denigrating the aspects of...
‘Delhi Crime’ Season 2: Review – A Continuation Manages To Succeed Due To Its Being At The Service Of Its Story
Cop-aganda is a form of entertainment that does exist in the lexicon of pop culture, perhaps because procedural entertainment always hearkens back to either...